Thursday, March 30, 2006

metropolis

                    out of          the sanitarium
                    we walked          in backward
                    steps          toward extinction
                                      toward anthropophagia
                                      toward metropolis


because          of the skin
because          of the face
          you are victim          of my           g  a  z  e
                              for me to make
                                    s  o  a  p           and lampshades
                    out of you

               and          t  r  e  e  s          out of umbrellas

books burn          but words remain
like doubloons          in a ship caught
                    in a genoan          f  i  r  e


and into the mouth of a cave i painted by my own hand
i will step


in hunger i came watching the tin witch
crash into a wall of streaming photons
and into the metropolis of glassseapylon

                    can our deformed          b  o  d  i  e  s
                              exist in autonomous margins


naïve primitivism is          an affect
          of the tyranny of our human form
a fact          written in          
                   disappearing          i  n  k


                    as          s  k  i  n          succumbs
to the          fixation of          liquid          l  i  g  h  t
          and          d  i  s  s  o  l  v  e  s          into
                    aggregates of          silver salts

          and          a paper          e  y  e

2 comments:

François Luong said...

Where to begin. Well, first of all, thank you for your comments. My latest poems have concerned with the page as a field of composition, something I've been thinking about when reading Charles Olson's essay "Projective Verse," but also Robert Duncan's and George Oppen's work. I'm interested to what happens to the word when it is displayed in a non-conventional manner on the page.

Also, I tend to write in very long sentences and, this is something I've noticed recently, the paratactical and hypotactical constructions, combined with the lack of punctuation and capitalization allow the components of the sentences to be reconfigured. Of course, sometimes I wish a poem could begin with any of the sentences contained.

burning moon said...

Hi Francois, excellent poem.
I really enjoyed your creative use of words and white space, and I love the interplay of themes, which to me read as comments on humankind's apparent drive to devour itself or disappear into madness in the huge cities we insist in living in.
Your poem made me think about a lot of things to do with history, culture and society and where we are headed, whether apparent progress is in fact forward, or merely a side effect of disintegration.
It's been a while since I read something with as much packed into it as this.
cheers for the read.

moon